MICS
The Eyeball fits most vocal recording microphones and shock-mounts. Mics which are side address with long/short-bodies having a diameter of (38mm to 70mm / 1.5” to 2.75”)
Think of the Eyeball as a studio booth alternative that fits right over your microphone, sets up in seconds, and instantly transforms any space into a recording studio.

 

DESIGN

The Kaotica Eyeball is an acoustic treatment device that isolates your microphone and creates a sound channel directly to your mic.By isolating and channeling sound, the Eyeball is able to accurately capture the pure vocal tone while greatly reducing room reflections and ambient noise. Designed for all vocal/voice-over applications either as standalone, mobile, or in conjunction with treated spaces. Includes an integrated pop-filter and fits most large diaphragm condenser microphones.

FEATURES

Record Anywhere

 In your closet or a cave

Flame Retardant

 No tears! Smoke and choke around the Eyeball freely

No Stand, No Shock Mount, No Hassel

 Works with what you have: a microphone

 Won’t tip over or knock you out

Works with most Vocal Microphones

 Bring out the best in your mic

Weightless

 Don’t throw your back out! It weighs less than your microphone

Durable

 Dent resistant, won’t rust, Never needs Duct-Tape

A Practical Sound booth solution

 Eat eggs cuz you want to, not just for the tray

 Stop stealing your grandma’s precious quilts

Integrated pop filter

 Spit all you want, only your voice reaches the microphone

DESIGN

The Kaotica Eyeball is an acoustic treatment device that isolates your microphone and creates a sound channel directly to your mic.By isolating and channeling sound, the Eyeball is able to accurately capture the pure vocal tone while greatly reducing room reflections and ambient noise. Designed for all vocal/voice-over applications either as standalone, mobile, or in conjunction with treated spaces. Includes an integrated pop-filter and fits most large diaphragm condenser microphones 38mm to 70mm / 1.5” to 2.75”

TECHNICAL SPECIFICATION

Frequency response 0Hz - 30KHz +/-1.4dB
THD: 6.789%
Max Peak: 140 dB
TL: 3.73 dB (average)
Polar Patterns: Cardioid is recommended, but all types of polar patterns can be used with the Eyeball

FREQUENCY RESPONSE

The frequency response chart was generated using a frequency sweep from 0 Hz - 30 KHz. All frequencies are captured equally, producing a flat frequency response. The Eyeball captures an accurate representation of sound, as the the low & high end frequencies of a signal can be lost in the recording process due to sound's tendency to disperse through air.

3D Spectrograph results on how the Kaotica Eyeball reduces ambient noise

FREQUENCY SPECTRUM

In respect to the comparative spectrograph below, on the left is a 3D representation of a vocalist singing without The Eyeball, on the right is a representation of the vocals inside of The Eyeball. The large spikes you are seeing are being produced by ambient noise & room tone. This includes things like structure born vibration, bleed & generally most other unwanted sounds. You can very clearly see on the right that the sound has been ‘evened out’, and the ambient noise and bleed is gone, leaving only the pure vocal tone to be captured by your microphone.

Frequency Spectrum

HARMONIC CONTENT (THD)

The THD comparison portrays sound traveling through air and sound in the Eyeball. The THD reading is dramatically decreased inside of the Eyeball, producing a more accurate representation of the sound source.

No Eyeball  20.8553%
Eyeball 6.7996%

PHASE

The Eyeball reduces the external environment and only leaves the pure tone to be channeled into the microphone. By reducing the external environment, phase anomalies and cancellation are diminished within an untreated space.

SIGNAL TO NOISE RATIO (S:N RATIO)

Based upon the volume levels indicated by the RMS and DBSPL readings above, sound is louder inside of the Eyeball. The louder volume level has many distinct advantages. An increase in the Signal to Noise ratio is apparent as the clean signal is increased while the noise ratio is substantially decreased. The reason for these amplitude increases is because sound is not being allowed to disperse through air, but is being channeled directly into your microphone without coloration.

AMPLITUDE

RMS RATING
No Eyeball 74.5
Eyeball 80.55
DBSPL
No Eyeball -35.4
Eyeball -18.3

Envelope graph portraying the smoother decay within the Kaotica Eyeball

The graph above portrays the envelope of a sound within the Eyeball (represented in red) and without the Eyeball (represented in purple). By comparing the Envelope (Attack, Sustain, Decay, Release) readings, we determined several key characteristics about sound within the Eyeball. Note the difference in Decay time (the drop of the waveform after the initial attack (rise). Within the Eyeball we see a smoother, slower, and more linear decay pattern, while the envelope of the sound without the Eyeball decays much quicker. This shows us how quickly sound is dispersed through air, and how much longer the sound is maintained inside of The Eyeball.

I am a musician

The Eyeball Isolates
your microphone.
Transforms
your space into a professional recording studio.
Goes
along with you on the road.

step in the spotlight

Traditionally, you’d rig up foam on the walls or soundproof the room with blankets. Whether you rent or own, you don’t necessarily want to be putting holes in the walls. Even if you are committed to foaming everything up, it may not enhance the acoustics, unless you’re an acoustician. At Kaotica, we firmly believe that you shouldn’t have to think about the room you’re recording in. Instead, you should concentrate on your performance.
 
Greyson Chance records in hotels, tour buses and, when he gets the opportunity to at home. His success comes from capturing the pure vocal whenever his is inspired. The Kaotica Eyeball gives Greyson the ability to record outside of the studio but maintain the same acoustical quality. By simply placing the Eyeball on your vocal mic you can transform your space into an acoustically treated one with the same consistency while you travel.

 By Greyson being able to spend more time on the road, he’s built a staggering and faithful fan base, encompassing nearly 97 million-plus cumulative views. His major label debut came out in 2011 with his most recent single “Afterlife”. He started small in Oklahoma and reached success by keeping it real, working hard and never limiting himself to his own knowledge. Learning from others and most important being humble with fans pushed him over the top.