Compatible Mics

The Eyeball fits most vocal recording microphones and shock-mounts. Mics which are side address with long/short-bodies having a diameter of (38mm to 70mm / 1.5” to 2.75”) If your mic does not we'll give you a full refund within 30 days.

How the Eyeball Works

The Kaotica Eyeball is an acoustic treatment device that isolates your microphone and creates a sound channel directly to your mic. By isolating and channeling sound, the Eyeball is able to accurately capture your pure vocal tone while greatly reducing room reflections and ambient noise.Think of the Eyeball as a studio booth alternative that fits over your microphone, sets up in seconds and transforms any space into a recording studio. Includes an integrated pop-filter.


Record Anywhere

 In your closet or a cave

Flame Retardant

 No tears! Smoke and choke around the Eyeball freely

No Stand, No Shock Mount, No Hassel

 Works with what you have: a microphone

 Won’t tip over or knock you out

Works with most Vocal Microphones

 Bring out the best in your mic


 Don’t throw your back out! It weighs less than your microphone


 Dent resistant, won’t rust, Never needs Duct-Tape

A Practical Sound booth solution

 Eat eggs cuz you want to, not just for the tray

 Stop stealing your grandma’s precious quilts

Integrated pop filter

 Spit all you want, only your voice reaches the microphone


The Kaotica Eyeball is an acoustic treatment device that isolates your microphone and creates a sound channel directly to your mic.By isolating and channeling sound, the Eyeball is able to accurately capture the pure vocal tone while greatly reducing room reflections and ambient noise. Designed for all vocal/voice-over applications either as standalone, mobile, or in conjunction with treated spaces. Includes an integrated pop-filter and fits most large diaphragm condenser microphones 38mm to 70mm / 1.5” to 2.75”


Frequency response 0Hz - 30KHz +/-1.4dB
THD: 6.789%
Max Peak: 140 dB
TL: 3.73 dB (average)
Polar Patterns: Cardioid is recommended, but all types of polar patterns can be used with the Eyeball


The frequency response chart was generated using a frequency sweep from 0 Hz - 30 KHz. All frequencies are captured equally, producing a flat frequency response. The Eyeball captures an accurate representation of sound, as the the low & high end frequencies of a signal can be lost in the recording process due to sound's tendency to disperse through air.

3D Spectrograph results on how the Kaotica Eyeball reduces ambient noise


In respect to the comparative spectrograph below, on the left is a 3D representation of a vocalist singing without The Eyeball, on the right is a representation of the vocals inside of The Eyeball. The large spikes you are seeing are being produced by ambient noise & room tone. This includes things like structure born vibration, bleed & generally most other unwanted sounds. You can very clearly see on the right that the sound has been ‘evened out’, and the ambient noise and bleed is gone, leaving only the pure vocal tone to be captured by your microphone.

Frequency Spectrum


The THD comparison portrays sound traveling through air and sound in the Eyeball. The THD reading is dramatically decreased inside of the Eyeball, producing a more accurate representation of the sound source.

No Eyeball  20.8553%
Eyeball 6.7996%


The Eyeball reduces the external environment and only leaves the pure tone to be channeled into the microphone. By reducing the external environment, phase anomalies and cancellation are diminished within an untreated space.


Based upon the volume levels indicated by the RMS and DBSPL readings above, sound is louder inside of the Eyeball. The louder volume level has many distinct advantages. An increase in the Signal to Noise ratio is apparent as the clean signal is increased while the noise ratio is substantially decreased. The reason for these amplitude increases is because sound is not being allowed to disperse through air, but is being channeled directly into your microphone without coloration.


No Eyeball 74.5
Eyeball 80.55
No Eyeball -35.4
Eyeball -18.3

Envelope graph portraying the smoother decay within the Kaotica Eyeball

The graph above portrays the envelope of a sound within the Eyeball (represented in red) and without the Eyeball (represented in purple). By comparing the Envelope (Attack, Sustain, Decay, Release) readings, we determined several key characteristics about sound within the Eyeball. Note the difference in Decay time (the drop of the waveform after the initial attack (rise). Within the Eyeball we see a smoother, slower, and more linear decay pattern, while the envelope of the sound without the Eyeball decays much quicker. This shows us how quickly sound is dispersed through air, and how much longer the sound is maintained inside of The Eyeball.

Mouse Quake | Producer | Lil Wayne

Kaotica Life


Dallas based music producer and recording engineer, MouseQuake, has a rather impressive roster of credits with Grammy winning multi-platinum artists including Lil Wayne, Nas, David Banner, Pimp C, Mr. Lee, Ty Dolla $ign to name but a few. But he credits Mr. Lee with giving him the big break he needed to step into the limelight and run with the really big dawgs of rap and hip hop.

“I really appreciate Mr. Lee for bringing me in, turning me loose and just letting me do what I do"

To be able to take somebody’s work and then put your touch on it and being approved by an array of legends, it’s kind of humbling.” MouseQuake’s take on making music is that you have do this for love and not for the money.

Because if you’re doing it for the money you’ll never have enough of it and you might as well just go get a job.

He was gracious enough to share some of that love and offer us some words of wisdom about his background and his recording process.

Where did your love of music come from?

I've always wanted to do music. I used to sit and bang on the tables in school and then get thrown out of class or beat up my mother's pots and pans so I started playing drums. And from then on I progressed.

How do you use the recording studio as an instrument?

"I use the studio in two capacities: one to set the mood for the music I want to do. And two, to use the technology to invent the music that I do" 

What are some of the challenges you face when receiving tracks recorded elsewhere by others or by the artists?

Distorted vocals. Peeked out. Extremely low recordings. Over compressed recordings. The Kaotica Eyeball actually squashes the anomalies of the sound outside of the microphone. It emulates the qualities in a soundproof booth.

"Whatever they put directly in front of the microphone with the Kaotica, that's what I get." 

So I don't get the breathing, the hissing and all that other stuff on the outside of that. The Kaotica Eyeball is one piece of studio equipment I would call essential.

How does the Eyeball help you in a mobile capacity?

I actually take my Eyeball with me on every trip that I go. So it's actually my carry on luggage. And what it does, it actually gives me the ability to record anywhere. I've actually recorded some stars in their living room. It's like a mobile vocal booth to go for my portable recording studio setup.

How important to the track are the vocals?

"The vocals are the story. The music is the base. And you better start loving your engineers too because we make all this stuff sound good'

What advice would you give up and coming producers trying to get to where you are?

Study, practice, work. Study, practice, work all the time.

Why is music important?


Music is the lifeblood of my system. If I hadn't had that I wouldn't even be here today.

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